I wish I could make it sound "celeb" by saying something like Lars Ulrich says ("That was a time in our lives when me and James used to be very obsessed with death") about the song Fade to Black, on the Metallica documentary. However the real deal is that I was not obsessed with death when I composed this, I was just terribly low because I was going through a period of growth and learning the hard way. Having said that, I also must say that while the composition talks about death, the song is about hope, and not despair. I had originally used the word "die", but it sounded too negative and absolute. So I substituted it with "fly" to give it a sense of possibility, hope, freedom and eagerness towards what is to come. Here goes..
ITS TIME
Its that time of my life,
When my eyelids feel heavy.
Heavy, with the weight of life,
Heavy, to the pull of death..
Its that time of my life,
When my life’s time is shrinking.
Shrinking, to the point of no return,
Not that I really want to return..
It’s time for me to fly…
Its that time of my life,
When my soul is ready to embark,
Embark, upon a new journey,
A journey to eternity,
A journey to immortality..
It’s time for me to fly…
Its that time of my life,
When I can hear the humming
Of the wing of death
The wing of death, as it comes to me,
Comes to take me along,
Comes to take me away..
It’s time for me to fly…
Its that time of my life,
When i can feel myself submerging
Into a cocoon of darkness
The darkness of the brightest eternal light,
The light emanating from my creator..
It’s time for me to fly…
Its that time of my life,
When i feel weary,
Weary, of dying a thousand deaths
A thousand deaths, in every breath,
Every fleeting breath of life..
It’s time for me to fly…
It’s time for me to fly to my maker,
It’s time for me to take refuge in his arms,
It’s time for me to merge with the one,
It’s time for me to join the company
Of the lost souls of the netherworld..
It’s time for me to live...
This is the only song that I have written till date that does not rhyme, but the repetition of the words within the verse creates an internal sense of rhythm and combined with the single line refrain, it opens up extremely interesting musical composition possibilities.
The composition is loosely about Life after Death, but some of my closest friends who have read it before have come up with very interesting perceptions of individual lines, right from carnal to spiritual. I would like to hear of more from everyone who is reading this. Please write back to me.
Av